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Music in North India is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.
North India is home to a wealth of musical traditions composed of many different styles, genres, and practices. Music in North India provides a representative overview of this music, discussing rhythm and drumming traditions, song composition and performance styles, and melodic and rhythmic instruments. Drawing on his experience as a sarod player, vocalist, and music teacher, author George Ruckert incorporates numerous musical exercises to demonstrate important concepts. The book ranges from the chants of the ancient Vedas to modern devotional singing and from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla. It is framed around three major topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India. Featuring vivid eyewitness accounts of performances and descriptions of interviews with performers, Music in North India examines the form, structure, and expression of North Indian music while also illuminating its profound religious and cultural significance. A 70-minute CD containing examples of the music discussed in the text is packaged with the book.
- Sales Rank: #925523 in Books
- Brand: Brand: Oxford University Press
- Published on: 2003-12-11
- Original language: English
- Number of items: 1
- Dimensions: 5.40" h x .50" w x 8.00" l, .39 pounds
- Binding: Paperback
- 112 pages
- Used Book in Good Condition
About the Author
George E. Ruckert is at Massachusettes Institute of Technology. Bonnie C. Wade is at University of Washington.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Enter the passage to Hindustani
By Kas Anders
Great book/cd package. Text and b/w photos provide a history of styles, locations and great practicioners of this fantastic and deep musical heritage. The recorded samples provided are both emotive and historical. Doing my own self-study of Indian music has me reaching for this set often. Included tal (rhythm) exercises will reveal how difficult even the basics of their rhythmic system is. Author George Ruckert is a longtime top member at the AACM college of Indian music in California and knows very well how to bridge the Westerner towards this foreign ocean of an art form. This book deals with true Indian classical, not Bollywood or moderised Indo-pop.
Also I highly, highly recommend the "Raga Unveiled" dvd set which along with the above book/cd may have you falling into, appreciating and beginning to get an understanding of this complex, spiritual and beautiful musical form.
1 of 1 people found the following review helpful.
Great resource.
By La Mancha
Very helpful book. It, and its sister (Music in South India) will keep you busy! The excerpts on the CD are invaluable. You can learn a terrific amount from this book, both practical and theoretically, but be prepared to take your time if this is your first exposure.
0 of 2 people found the following review helpful.
Beware: this is a textbook.
By Howard Bleach
Make no mistake, author George Ruckert knows of what he writes. The book is highly detailed, going into great (some would say too much) detail about the intricacies and complicated structures of Hindustani music.
But beware: this is a TEXTBOOK, and, by all appearances, one intended for a music class. There are rhythmic exercises (not easy), keys to understanding notation (if you've ever wanted to see "My Country 'tis Of Thee" notated in sargam, this is your book), and a constant barrage of italicized terminology (most of which is only briefly explained). Remember, this is a very slim volume: under 100 pages. So these 'lessons' come at the expense of historical analysis, elaborate definitions of terms and jargon (again, italicized terms are plentiful, but are defined briefly and without any attempt to help a reader understand beyond a simple translation), and longer biographies of notable artists.
I suppose I was looking for a different sort of book, one that eases the eager new explorer of this fascinating and beautiful music in with a thorough (but not dry) analysis of the cultural history, instruments, and trends of Hidustandi music as we know it today. This is not that book.
On page 7, Rucker reveals why: "For discussion of the basic elements of music and terminology, see [General Editor Bonnie] Wade's Thinking Music, in this Global Music Series." Well, darn. I wish I'd known when I purchased this book that it was merely a supplemental text to a larger textbook.
I did, with some effort, finish the book (though I will admit to skipping over some of the rhythmic exercises, which I found enormously difficult and, not having aspirations to actually PLAY Indian music, irrelevant to me), and managed to learn a bit despite the author's stuffy, needlessly thick style, but I am unfortunately left with more questions than answers.
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